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Affiche du document 1839 – Arago offre au monde la photographie

1839 – Arago offre au monde la photographie

Guy JACQUES

51min45

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69 pages. Temps de lecture estimé 52min.
En 2017, dans François Arago, l’oublié, j’écrivais :« Aujourd’hui, comme hier, en France comme à l’étranger, le rôle d’Arago dans la divulgation du daguerréotype, en 1839, garde un parfum d’aventure républicaine. »Dans le présent ouvrage, après avoir retracé les débuts de la photographie avec Niépce, Daguerre et l’Anglais Talbot, puis les deux décennies de l’âge d’or du daguerréotype en France et, surtout, aux États-Unis, je prolonge l’aventure photographique jusqu’à nos jours : soit plus de 150 ans d’histoire, depuis les plaques photographiques jusqu’au « moment Kodak », en passant par les appareils photo instantanés, l’avènement de la photographie argentique autour de 1890, puis des diapositives à partir de 1935. À partir des années 1990, la photographie entre dans une période de bouleversements sans précédent. Les ventes d’appareils argentiques, qui dépassaient autrefois les 30 millions d’unités par an, s’effondrent, au profit du numérique, dont les ventes atteignent un pic de 120 millions d’unités vers 2010, avant de chuter drastiquement à environ 8 millions aujourd’hui. Partis de rien en 2010, les smartphones, équipés d’appareils photo de plus en plus performants, atteignent désormais des ventes avoisinant les 1,5 milliard d’unités par an — soit plus de dix fois le volume des appareils numériques à leur apogée. À cela s’ajoute une transformation radicale de la circulation des images : les réseaux sociaux jouent un rôle central, à l’image de Flickr, où quelque 25 millions de photos sont téléchargées chaque jour... sans parler de l’arrivée fulgurante de l’intelligence artificielle. Et pourtant, une technique ancienne résiste encore : le daguerréotype, qui continue de séduire quelques milliers de passionnés à travers le monde, convaincus de son caractère inégalé.
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Affiche du document Le portrait au naturel

Le portrait au naturel

Jérémy Guillaume

57min00

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76 pages. Temps de lecture estimé 57min.
VOICI UN GUIDE DÉCOMPLEXANT, ULTRAMOTIVANT ET REMPLI D’ASTUCES POUR PRENDRE CONFIANCE EN SOI ET APPRENDRE À PHOTOGRAPHIER SON MODÈLE TEL QU’IL EST ! Jérémy Guillaume a conçu ce guide pour partager de manière résolument simple et pratique sa vision du portrait et son expérience en séance auprès d’un large public de photographes. Dans cet ouvrage, vous découvrirez qu’opter pour un matériel sophistiqué n’est pas gage de portrait réussi, que savoir décrypter la lumière naturelle et identifier les plans d’éclairage valorisants est bien plus important, que quel que soit le lieu de prise de vue, votre modèle rayonnera à condition que vous sachiez le mettre à l’aise et que vous le soyez vous-même ! Car un portrait est avant tout le fruit de la rencontre et de la connexion entre deux personnes. Chapitre 1 : Les essentiels pour bien démarrerVotre séance idéaleLe matérielLes réglagesLa lumièreLa préparation de la séance Chapitre 2 : La prise de vueDe l’organisation dans la spontanéitéUn regard pour casser les barrièresLa musiqueLes petites attentionsComment avoir des portraits naturels ?Les 4 plans universels pour gérer la lumièreL’heure de la prise de vueLa paroleGuider plus que dirigerLe cadre et la compositionLes posesVoir sa séance comme une sérieUn portrait en moins de 3 minutes Chapitre 3 : Donner un style et une identité à ses imagesLe triPost-traitement Annexe : Un portrait, des portraits…Le portrait corporate pour les petites et grandes entreprisesLe portrait d’enfants
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Affiche du document Tisser l'avenir : Vers une mode québécoise responsable

Tisser l'avenir : Vers une mode québécoise responsable

Marie-Eve Faust

1h09min00

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92 pages. Temps de lecture estimé 1h09min.
La mode québécoise peut-elle réinventer son modèle pour devenir plus responsable et locale ? Les fibres naturelles sont-elles la clé pour réconcilier la mode et le respect de l’environnement ? Découvrez comment vos choix vestimentaires transforment ce secteur grâce à Tisser l’avenir : redécouvrir les fibres locales et durables dans l'industrie de la mode. Entre histoire, innovation et durabilité, ce manifeste pour la mode durable explore l’évolution de cet écosystème, de la production des fibres – naturelles, artificielles et synthétiques – jusqu’à leur commercialisation. Il valorise le savoir-faire régional, encourage les pratiques circulaires et appelle une communauté diversifiée – agriculteurs, designers, entrepreneurs – à repenser leurs pratiques. Une invitation à imaginer la mode non plus comme une simple industrie, mais comme un dialogue vivant entre tradition et innovation, de la ferme à la mode !   Marie-Eve Faust, Ph. D., est professeure à l’École supérieure de mode de l’ESG-UQAM. Elle a dirigé le programme de mode pendant plusieurs années et a enseigné le développement de produits de mode à Hong Kong Polytechnic University, Institute of Textiles and Clothing, ainsi qu’à Philadelphia University. Depuis ses débuts, elle intègre à son enseignement une approche axée sur l’innovation et tient compte du triple objectif économique, social et environnemental. Lylliane Le Quellec, M. Mus., MBSI, M. Ing., est une ingénieure à la retraite. À 55 ans, elle a remplacé la vie en entreprise par la vie à la campagne afin de poursuivre ses deux passions, le violoncelle et son jardin. Le tricot et le crochet ont toujours été des passe-temps qui lui étaient agréables. Il y a quelques années, elle a acheté trois moutons babydoll et a réussi son rêve de faire toute la transformation, du mouton jusqu’au vêtement.   Avec la collaboration de Annie-Pier Blain, Philippe Denis, Lila Rousselet et Mathieu St-Arnaud-Lavoie.  N/D
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Affiche du document I Try Not to Think of Afghanistan

I Try Not to Think of Afghanistan

Anna Reich

1h12min00

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96 pages. Temps de lecture estimé 1h12min.
I Try Not to Think of Afghanistan includes photographs and commentaries from Lithuanian veterans of the Soviet War in Afghanistan (1979–89), addressing the lasting realities of war and its effects on those conscripted to fight. Unflinching first-person accounts give details of training, combat, and the often difficult return to society for military conscripts within the Soviet system. Anna Reich gives insight into the experiences of not only the Lithuanian veterans from the Soviet War in Afghanistan but also veterans from all countries who face similar struggles and challenges.For three months, Reich interacted with twenty-two veterans in their homes and meeting halls and throughout their daily routines to produce portraits that provide intimate and unvarnished portrayals of their lives and the lasting effects of forced military service in the Soviet army. Often ostracized socially because of their involvement with the Soviet army, the veterans frequently feel invisible: there are no social programs to assist them in their attempts to address post-traumatic stress disorder and assimilate into society, their cause is largely unknown, and the government responsible for their conscriptions no longer exists.I Try Not to Think of Afghanistan is the culmination of eight years of investigation into the psychological toll of war and trauma. In providing a rarely seen perspective of life after combat, the book intersects with contemporary discourse, specifically the way the US experience in Afghanistan closely mirrors that of the Soviets and the Russian Federation''s forced conscription of young men to fight in Ukraine.
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Affiche du document I Try Not to Think of Afghanistan

I Try Not to Think of Afghanistan

Anna Reich

1h48min45

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145 pages. Temps de lecture estimé 1h49min.
I Try Not to Think of Afghanistan includes photographs and commentaries from Lithuanian veterans of the Soviet War in Afghanistan (1979–89), addressing the lasting realities of war and its effects on those conscripted to fight. Unflinching first-person accounts give details of training, combat, and the often difficult return to society for military conscripts within the Soviet system. Anna Reich gives insight into the experiences of not only the Lithuanian veterans from the Soviet War in Afghanistan but also veterans from all countries who face similar struggles and challenges.For three months, Reich interacted with twenty-two veterans in their homes and meeting halls and throughout their daily routines to produce portraits that provide intimate and unvarnished portrayals of their lives and the lasting effects of forced military service in the Soviet army. Often ostracized socially because of their involvement with the Soviet army, the veterans frequently feel invisible: there are no social programs to assist them in their attempts to address post-traumatic stress disorder and assimilate into society, their cause is largely unknown, and the government responsible for their conscriptions no longer exists.I Try Not to Think of Afghanistan is the culmination of eight years of investigation into the psychological toll of war and trauma. In providing a rarely seen perspective of life after combat, the book intersects with contemporary discourse, specifically the way the US experience in Afghanistan closely mirrors that of the Soviets and the Russian Federation''s forced conscription of young men to fight in Ukraine.
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Affiche du document Hollywood Jim Crow

Hollywood Jim Crow

Maryann Erigha

1h33min00

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124 pages. Temps de lecture estimé 1h33min.
The story of racial hierarchy in the American film industry The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn’t believe that Denzel Washington could “open” a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited. In The Hollywood Jim Crow, Maryann Erigha tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. She examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining “the Hollywood Jim Crow.” Unlike the Jim Crow era where ideas about innate racial inferiority and superiority were the grounds for segregation, Hollywood’s version tries to use economic and cultural explanations to justify the underrepresentation and stigmatization of Black filmmakers. Erigha exposes the key elements at work in maintaining Hollywood’s racial hierarchy, namely the relationship between genre and race, the ghettoization of Black directors to black films, and how Blackness is perceived by the Hollywood producers and studios who decide what gets made and who gets to make it. Erigha questions the notion that increased representation of African Americans behind the camera is the sole answer to the racial inequality gap. Instead, she suggests focusing on the obstacles to integration for African American film directors. Hollywood movies have an expansive reach and exert tremendous power in the national and global production, distribution, and exhibition of popular culture. The Hollywood Jim Crow fully dissects the racial inequality embedded in this industry, looking at alternative ways for African Americans to find success in Hollywood and suggesting how they can band together to forge their own career paths.
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Affiche du document Wisdom of Wildly Creative Women

Wisdom of Wildly Creative Women

James Lomenzo

1h52min30

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150 pages. Temps de lecture estimé 1h52min.
Real Stories from Wildly Creative Women“If you need an extra boost of bravery, read this book! If you want to simply feel more positive about the world, read this book!” —Sherry Richert Belul, founder of Simply Celebrate and author of Say It Now#1 New Release in Interviews, Photography Criticism & Essays, and PhotojournalismAngela LoMenzo combines stunning photography and powerful real stories documented from interviews with a diverse group of accomplished women that encourages us to dig deep into our own creative lives!Women from all walks of life. Artists, musicians, authors, fashion designers, entrepreneurs, and others from a multitude of creative careers share their experiences with depression, bullying, infertility, cancer, assault, loss of loved ones, drug addiction, and many other issues women often do not have a safe space to talk about. These stories show you just how real life is.Powerful affirmations and true-life stories to empower you. This book is packed with words of wisdom from women who have both overcome adversity and achieved an authentic life honoring their individuality and freedom of personal expression. Their real stories illustrate that it is possible to live the life you have always desired now.Inside, you’ll find:Words of wisdom and beautiful photography of wildly creative womenRaw and authentic interviews featuring stories by women redefining the role of a womanAnd much more!If you're looking for unique gifts for women who have everything or if you like books such as Women, In the Company of Women, Collective Wisdom, or A Room of Her Own, you need to read Wisdom of Wildly Creative Women!Chloe Trujillo Artist/Designer/Musician Now it was time for Chloe to find her way back to herself after escaping death. The brutal assault caused her a tremendous amount of pain physically and emotionally. Despite this, she feels it sent her in the direction she needed to go. “The attack made me realize that I care about living, I care about my life, I care about it all. There was so much inside of me that I wanted to bring out, but a bit of fear always held me back. Now I felt, ‘What’s the point of holding back, what do I risk? Nothing!’ If people don’t like it, so be it. You can’t please everybody.” Despite these renewed feelings of empowerment, she was still traumatized. She was able to find comfort expressing herself through singing. “I was at the point where I couldn’t walk the streets because I would freeze from loud sounds. I didn’t show it on the outside, but I couldn’t breathe. Singing was so healing for me. The breath and the sound helped me so much.” Elicia Castaldi Artist/Designer/Entrepreneur Now that she had reconnected with her innermost artist and was free of all preconceived notions of who she should or shouldn’t be, Elicia was ready to manifest her dream: “Paper has always been a big obsession of mine. There used to be this amazing store in New York called Kate’s Paperie, which was my favorite place on earth. It was like Barney’s, but for paper. So, designing illustrated paper products that could sit on those shelves has been in the back of my brain for many years. During that year of painting, I started to see a card line emerging through my artwork, so I began writing cards—I couldn’t stop! I wrote about 300 cards the first time I sat down to start writing them! It seems like a crazy amount, and it was! It just came so easy to me to come up with ideas, and it felt right. Fast forward to December of 2018, when I launched Girl w/Knife with ninety-six greeting cards, four journals, three notepads, and four gift wrap designs; I said to myself, ‘This is already a success because I’ve gotten here—I’ve created this body of work and this company—every aspect of it. From the name to the products, logo, website, catalog, social media, and everything in between. I wholeheartedly love all of it, every single piece because it is me, full stop. My career is completely on my terms now, and I could not be happier or fuller of ideas for the future.’ Debby Holiday Singer/Songwriter It was Debby’s turn to break into the music scene with that same drive and fearlessness. “I started a band called Stiletto that ended up winning a KNAC award. This was a big deal for me since KNAC was a hard rock station and, for some reason, my being black and female made it surprising to people that I could even play rock ‘n’ roll! After all these years, I still have people come up and ask, ‘How did you learn rock ‘n’ roll?’ There are so many people who don’t really know where rock ‘n’ roll came from. It came from the blues and black folks, y’all! Excuse me, Big Momma Thornton—this is where you got everything from! She’s the woman who wrote ‘Hound Dog.’ Very few people know that song started out as an anthem of black female power.” Drea de Matteo Mom/Actor At this point, Drea’s life and spirit were broken, but following her heart would once again prove to be the impetus for change: “I’ll tell you how I actually got sober. I’ll never forget the day the call came into my dad’s store. A young boy died in a motorcycle accident, and a heart was on the way to the hospital for Munkey. I was really fucked up on drugs, and I didn’t even go home to get anything. I left my dad’s store, took a taxi to LaGuardia airport, and got on an airplane to Florida. I just took off and showed up in Florida in the waiting room of the hospital. They had already taken Munkey’s heart out. The transplant wasn’t being accepted by her body and she was on life support. My mother heard what happened, and she knew I wasn’t right in my head. She took the next flight to Florida to take care of me while I thought I’d be taking care of Munkey. When she got there, I lashed out at her, and she said, ‘You do what you need to do, Drea, but I’m right here for you.’ I was blown away—that was the beginning of second chances for everyone. After a few weeks, the heart finally started to work for Munkey. I stayed for about a month sleeping on the floor of her hospital room. While I was there, the nurses helped me to get sober. When she recovered, I moved her into my room at the apartment and slept on the couch. She lived with me ever since. After this experience, my mother wrote the most beautiful play called The Heart Transplant–it’s unbelievable. She wrote it for me for my 25th birthday.” Cheryl Cohen Founder & President, Wasteland Stores Cheryl has had to weather many storms during the learning curve of running her own business. “When people ask me about the secret of Wasteland’s success, I always tell them, ‘You learn more from adversity than from success.’ When I am having success, it feels good, but when I made mistakes, especially early on, that’s when I acquired the knowledge that benefitted me most in operating the business. For example, years ago, we went on a vacation to Seattle and fell in love with the city. We started looking at storefronts to open a Wasteland there. Of course, we found one, and it was a huge expensive space. We had also just opened an online store that had a lot of expenses. We almost went bankrupt. I was losing everything. I called my accountant, and he said, ‘You have to file for bankruptcy—it’s the only way out for you.’ I got off the phone and thought, ‘Like fuck we are!’ I refinanced my house and figured a way out. That’s why I am so careful now and tell people certain risks are worth taking and others are not.” Kathy Jacobs Actress/Model/ Entrepreneur “It seems ridiculous to me that it’s an issue to see a person at my age in a bathing suit or whatever else they want to wear. Are you saying we can’t do that anymore? No one is telling musicians like Keith Richards they’re too old and can’t go play on tour, or that they are not relevant because of their age. Why should it stop women? It seems men can keep doing whatever they want until their last breath. Everybody deserves the right to shine. I can’t imagine being anything but supportive to someone for who they want to be and doing what they want to do. The thought of deliberately trying to make a person feel bad or hurt is so foreign to me. I read this excellent book, This Chair Rocks—a Manifesto Against Ageism by Ashton Applewhite. It has a ton of statistics in it. One of them is that despite retailers and mass media rarely featuring women over fifty, we are the demographic with the most disposable income. It also said that in the next ten years, advertisers are going to realize this and start focusing their marketing on this age group.” Kathy’s determined to do away with the stereotype of women and aging. She has recently been doing national commercials again, modeling, stand-up comedy, and was featured in the latest music video for the band Green Day as a sexy seductress. “I think we must change the way we see other women our age and the way we all see each other. When we throw that positive energy out there, the world will give it right back to us. As long as we collectively stand up and say, ‘Hey, we are still in the game.’ Think about it, if you are fifty, you could potentially live another fifty years. Are you going to spend the next fifty years feeling less than? I don’t think so.” She lives by her two mottos, “Wear your age like a crown,” and “Old is gold.” She sums up her current mindset in her uniquely Kathy way: “I could either be eating off the senior menu at Denny’s or posing in a bikini for Sports Illustrated. I choose to pose in a bikini for Sports Illustrated.”
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Affiche du document Picturing America's Pastime

Picturing America's Pastime

National Baseball Hall of Fame

3h40min30

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294 pages. Temps de lecture estimé 3h40min.
Baseball Photography Classics“It’s a great addition to your coffee table, or as a gift to the baseball fan in your life.” ―baseballmusings.com#1 New Release in Photojournalism, Photo Essays, Statistics, History, Sports Photography, and SportsPicturing America’s Pastime celebrates baseball through a unique photography collection of the National Baseball Hall of Fame and Museum’s unmatched archive of baseball photos. Preserving History, Honoring Excellence, Connecting Generations is the mission of the Baseball Hall of Fame in Cooperstown, New York. Now, with this unequaled collection of photos from baseball history, you can revel in the moments we share at the ballpark, the grand sweep of the stadium, the drama of the game, and classic images of baseball greats.Celebrate the history of baseball and baseball photography. Go beyond the standard highlights of baseball history in this collection of rarely seen photos that reveals the full landscape of our national pastime as no other collection can. Selected by the historians and curators at the Baseball Hall of Fame, the photographs reveal the rich relationship between photography and the game.  Each image includes an historic quote and a detailed caption, often highlighting little-known information about the photographers and techniques used across the 150 plus years covered in the book.Experience the storied history of this great game through iconic images: Panoramic photos of historic stadiumsA thoughtful Honus Wagner studying his batEarly African American team portraits and photos of such greats as Hank Aaron, Jackie Robinson, and Orestes “Minnie” MiñosoAnd much more!If you have enjoyed baseball photography books such as The Story of Baseball: In 100 Photographs, 100 Year in Pinstripes: The New York Yankees in Photographs, or Baseball: An Illustrated History, you will love The National Baseball Hall of Fame’s Picturing America’s Pastime.
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Affiche du document When Women Ran Fifth Avenue

When Women Ran Fifth Avenue

Satow Julie

2h03min45

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165 pages. Temps de lecture estimé 2h4min.
A New York Times Bestseller A Cosmopolitan Best Nonfiction Book of 2024 ‘Compulsively readable: I found myself dashing through it like a novel’ The Wall Street Journal ‘Riveting’ Financial Times The New York Times bestselling story of the golden age of luxury department stores, and the trailblazing women who ran them. The twentieth century department store: a wonderland of consumption where every wish could be met under one roof. Dropping off the baby at nursery; an afternoon tea; a stroll through the latest fashions. A wedding (or funeral) could be planned. A Bengal Tiger cub could be purchased. Inside these towering price-tag palaces, anything was possible. They were beacons of modernity, and within this atmosphere of glamour and luxury, women dominated. Men may have owned the buildings, but inside women ruled. Among the rising prices and growing opulence, three women climbed to the top: Hortense Odlum, Dorothy Shaver, and Geraldine Stutz. Julie Satow draws back the curtain on these three visionaries who took great risks, forging new paths for the women who followed in their footsteps. This stylish account, rich with personal drama and trade secrets, captures the department store in all its glitz, decadence and fun, and showcases the women who made that beautifully curated world go round. ‘If you liked Mad Men then you’ll love When Women Ran Fifth Avenue’ #1 New York Times bestselling author Kate Andersen Brower, author The Residence and First Women
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Affiche du document Conservation Concerns in Fashion Collections

Conservation Concerns in Fashion Collections

L. Reddy-Best Kelly

1h41min15

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135 pages. Temps de lecture estimé 1h41min.
A manual and guide for preserving unique materials in fashion such as rayon, paper, and plasticsContinuous innovation and experimentation with the materials used in constructing textiles, apparel, and accessories creates an ever-growing challenge for professional curators and collectors. Recognizing problematic fibers, dyes, finishes, and fabric and yarn constructions is crucial for maintaining objects’ appearance, minimizing deterioration, and isolating those that are potentially harmful to other objects. A comprehensive guide to problematic 20th-century textiles, Conservation Concerns in Fashion Collections provides a manual for the identification, care, and damage reduction of seven different categories of objects and textiles. Robust in their research, Kelly L. Reddy-Best and Margaret Ordoñez guide readers through the damaging properties of various materials such as adhesives and plastics and provide textile-specific cleaning, storage, and exhibition advice. Even as they provide such details, Reddy-Best and Ordoñez ensure that the manual is easy to navigate as an essential reference, including scores of photographs to illustrate each topic. From environmental concerns to exhibition problems, this guide stands apart for its exhaustiveness, creating a singular guide to 20th-century textile and garment queries. The authors combine information from contemporary publications and interviews of textile experts to provide readers with important information on the aging properties of and best conservation practices for unstable 20th-century apparel, accessories, and textiles.Conservation Concerns in Fashion Collections is perfect for textile collection managers, curators, and conservators as well as graduate students considering both the history and preservation of such items.
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