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Affiche du document Le portrait au naturel — Le portrait au naturel
Jérémy Guillaume
57min00
Photographie
76 pages. Temps de lecture estimé 57min.
VOICI UN GUIDE DÉCOMPLEXANT, ULTRAMOTIVANT ET REMPLI D’ASTUCES POUR PRENDRE CONFIANCE EN SOI ET APPRENDRE À PHOTOGRAPHIER SON MODÈLE TEL QU’IL EST ! Jérémy Guillaume a conçu ce guide pour partager de manière résolument simple et pratique sa vision du portrait et son expérience en séance auprès d’un large public de photographes. Dans cet ouvrage, vous découvrirez qu’opter pour un matériel sophistiqué n’est pas gage de portrait réussi, que savoir décrypter la lumière naturelle et identifier les plans d’éclairage valorisants est bien plus important, que quel que soit le lieu de prise de vue, votre modèle rayonnera à condition que vous sachiez le mettre à l’aise et que vous le soyez vous-même ! Car un portrait est avant tout le fruit de la rencontre et de la connexion entre deux personnes. Chapitre 1 : Les essentiels pour bien démarrerVotre séance idéaleLe matérielLes réglagesLa lumièreLa préparation de la séance Chapitre 2 : La prise de vueDe l’organisation dans la spontanéitéUn regard pour casser les barrièresLa musiqueLes petites attentionsComment avoir des portraits naturels ?Les 4 plans universels pour gérer la lumièreL’heure de la prise de vueLa paroleGuider plus que dirigerLe cadre et la compositionLes posesVoir sa séance comme une sérieUn portrait en moins de 3 minutes Chapitre 3 : Donner un style et une identité à ses imagesLe triPost-traitement Annexe : Un portrait, des portraits…Le portrait corporate pour les petites et grandes entreprisesLe portrait d’enfants

Accès libre

Affiche du document Vers les territoires mobiles émergents — Vers les territoires mobiles émergents
Esin Ekizoglu
1h01min30
Architecture et design
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82 pages. Temps de lecture estimé 1h01min.
Quelle ville aimerions-nous habiter ? Quelle est la place de l’usager dans la ville à l’ère des nouvelles technologies ? L’introduction de ces dernières dans le quotidien des usagers à travers des objets techniques marque une étape importante, mais peu exploitée dans la réflexion sur la ville de demain. Les objets techniques, tels que smartphones, ordinateurs portables ou encore montres connectées, font désormais partie intégrante de la vie de leurs utilisateurs. Ils laissent des traces invisibles qui décrivent chacune une histoire unique. Ainsi, en quoi traduisent-ils les émotions, les choix ou les aperçus instantanés ? Comment pourrions-nous mobiliser ces éléments, situés dans une zone intermédiaire entre perception sensible et environnement physique, pour la compréhension et la construction de la ville ?Cet ouvrage, issu d’une thèse en architecture et en urbanisme, propose de révéler les perceptions sensibles des usagers de la ville du XXIe siècle en s’appuyant sur leurs informations invisibles pourtant bien réelles et riches à explorer.

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Affiche du document Défis, vulnérabilités et résilience des villes congolaises — Défis, vulnérabilités et résilience des villes congolaises
1h18min45
Architecture et design
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105 pages. Temps de lecture estimé 1h19min.
Cet ouvrage présente quelques contraintes auxquelles sont confrontées les villes congolaises. En effet, depuis plusieurs années, les espaces urbains congolais sont soumis à des pressions de différentes formes qui se traduisent en défis. Ces défis rendent ces villes vulnérables. Il s’agit des défis liés à la gestion foncière, à la gouvernance urbaine, posant des problèmes d’approvisionnement en eau, en produits vivriers, à l’assainissement, à la dégradation de l’environnement, aux changements climatiques, etc. Malgré ces difficultés, la gestion et l’avenir de ces villes présentent des perspectives heureuses pour le développement de ces espaces et pour les citadins en quête d’un mieux-être.

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Affiche du document Constructive Feminism — Constructive Feminism
Daphne Spain
2h27min45
Architecture et design
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197 pages. Temps de lecture estimé 2h28min.
In Constructive Feminism, Daphne Spain examines the deliberate and unintended spatial consequences of feminism''s second wave, a social movement dedicated to reconfiguring power relations between women and men. Placing the women''s movement of the 1970s in the context of other social movements that have changed the use of urban space, Spain argues that reform feminists used the legal system to end the mandatory segregation of women and men in public institutions, while radical activists created small-scale places that gave women the confidence to claim their rights to the public sphere. Women''s centers, bookstores, health clinics, and domestic violence shelters established feminist places for women''s liberation in Boston, Los Angeles, and many other cities. Unable to afford their own buildings, radicals adapted existing structures to serve as women''s centers that fostered autonomy, health clinics that promoted reproductive rights, bookstores that connected women to feminist thought, and domestic violence shelters that protected their bodily integrity. Legal equal opportunity reforms and daily practices of liberation enhanced women''s choices in education and occupations. Once the majority of wives and mothers had joined the labor force, by the mid-1980s, new buildings began to emerge that substituted for the unpaid domestic tasks once performed in the home. Fast food franchises, childcare facilities, adult day centers, and hospices were among the inadvertent spatial consequences of the second wave.

Constructive Feminism
Daphne Spain
2h27min45
Architecture et design
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197 pages. Temps de lecture estimé 2h28min.
In Constructive Feminism, Daphne Spain examines the deliberate and unintended spatial consequences of feminism''s second wave, a social movement dedicated to reconfiguring power relations between women and men. Placing the women''s movement of the 1970s in the context of other social movements that have changed the use of urban space, Spain argues that reform feminists used the legal system to end the mandatory segregation of women and men in public institutions, while radical activists created small-scale places that gave women the confidence to claim their rights to the public sphere. Women''s centers, bookstores, health clinics, and domestic violence shelters established feminist places for women''s liberation in Boston, Los Angeles, and many other cities. Unable to afford their own buildings, radicals adapted existing structures to serve as women''s centers that fostered autonomy, health clinics that promoted reproductive rights, bookstores that connected women to feminist thought, and domestic violence shelters that protected their bodily integrity. Legal equal opportunity reforms and daily practices of liberation enhanced women''s choices in education and occupations. Once the majority of wives and mothers had joined the labor force, by the mid-1980s, new buildings began to emerge that substituted for the unpaid domestic tasks once performed in the home. Fast food franchises, childcare facilities, adult day centers, and hospices were among the inadvertent spatial consequences of the second wave.

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Affiche du document Community Architect — Community Architect
E. Larsen Kristin
2h56min15
Architecture et design
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235 pages. Temps de lecture estimé 2h56min.
Clarence S. Stein (1882–1975) was an architect, housing visionary, regionalist, policymaker, and colleague of some of the most influential public figures of the early to mid-twentieth century, including Lewis Mumford and Benton MacKaye. Kristin E. Larsen''s biography of Stein comprehensively examines his built and unbuilt projects and his intellectual legacy as a proponent of the "garden city" for a modern age. This examination of Stein''s life and legacy focuses on four critical themes: his collaborative ethic in envisioning policy, design, and development solutions; promotion and implementation of "investment housing;" his revolutionary approach to community design, as epitomized in the Radburn Idea; and his advocacy of communitarian regionalism. His cutting-edge projects such as Sunnyside Gardens in New York City; Baldwin Hills Village in Los Angeles; and Radburn, New Jersey, his "town for the motor age," continue to inspire community designers and planners in the United States and around the world.Stein was among the first architects to integrate new design solutions and support facilities into large-scale projects intended primarily to house working-class people, and he was a cofounder of the Regional Planning Association of America. As a planner, designer, and, at times, financier of new housing developments, Stein wrestled with the challenges of creating what today we would term "livable," "walkable," and "green" communities during the ascendency of the automobile. He managed these challenges by partnering private capital with government funding, as well as by collaborating with colleagues in planning, architecture, real estate, and politics.

Community Architect
E. Larsen Kristin
2h56min15
Architecture et design
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235 pages. Temps de lecture estimé 2h56min.
Clarence S. Stein (1882–1975) was an architect, housing visionary, regionalist, policymaker, and colleague of some of the most influential public figures of the early to mid-twentieth century, including Lewis Mumford and Benton MacKaye. Kristin E. Larsen''s biography of Stein comprehensively examines his built and unbuilt projects and his intellectual legacy as a proponent of the "garden city" for a modern age. This examination of Stein''s life and legacy focuses on four critical themes: his collaborative ethic in envisioning policy, design, and development solutions; promotion and implementation of "investment housing;" his revolutionary approach to community design, as epitomized in the Radburn Idea; and his advocacy of communitarian regionalism. His cutting-edge projects such as Sunnyside Gardens in New York City; Baldwin Hills Village in Los Angeles; and Radburn, New Jersey, his "town for the motor age," continue to inspire community designers and planners in the United States and around the world.Stein was among the first architects to integrate new design solutions and support facilities into large-scale projects intended primarily to house working-class people, and he was a cofounder of the Regional Planning Association of America. As a planner, designer, and, at times, financier of new housing developments, Stein wrestled with the challenges of creating what today we would term "livable," "walkable," and "green" communities during the ascendency of the automobile. He managed these challenges by partnering private capital with government funding, as well as by collaborating with colleagues in planning, architecture, real estate, and politics.

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Affiche du document Le cri du projectionniste le soir au-dessus des gens — Le cri du projectionniste le soir au-dessus des gens
Dominique Terrier
3h57min00
Cinéma
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316 pages. Temps de lecture estimé 3h57min.
Le cinéma est un rendez-vous amoureux, un lieu de culte, une fête, un petit bonheur, une sortie loin de chez soi, un moment de réflexion, une crise de rire, une montée d’adrénaline, une magnifique cascade de sanglots. Le cinéma c’est le rêve, c’est la vie plus grande que nature, avec des couleurs plus vives, des sentiments plus forts, des mots plus ciselés. Passionné par le septième art depuis sa plus tendre enfance, Dominique Terrier vous propose cent-dix-sept chroniques où critiques de films et souvenirs cinématographiques se mélangent harmonieusement pour sublimer son amour du cinéma.

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Affiche du document Familiar Made Strange — Familiar Made Strange
2h00min00
Musique
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160 pages. Temps de lecture estimé 2h00min.
In The Familiar Made Strange, twelve distinguished historians offer original and playful readings of American icons and artifacts that cut across rather than stop at the nation''s borders to model new interpretive approaches to studying United States history. These leading practitioners of the "transnational turn" pause to consider such famous icons as John Singleton Copley''s painting Watson and the Shark, Alfred Eisenstaedt''s photograph V-J Day, 1945, Times Square, and Alfred Kinsey''s reports on sexual behavior, as well as more surprising but revealing artifacts like Josephine Baker''s banana skirt and William Howard Taft''s underpants. Together, they present a road map to the varying scales, angles and methods of transnational analysis that shed light on American politics, empire, gender, and the operation of power in everyday life.

Familiar Made Strange
2h00min00
Musique
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160 pages. Temps de lecture estimé 2h00min.
In The Familiar Made Strange, twelve distinguished historians offer original and playful readings of American icons and artifacts that cut across rather than stop at the nation''s borders to model new interpretive approaches to studying United States history. These leading practitioners of the "transnational turn" pause to consider such famous icons as John Singleton Copley''s painting Watson and the Shark, Alfred Eisenstaedt''s photograph V-J Day, 1945, Times Square, and Alfred Kinsey''s reports on sexual behavior, as well as more surprising but revealing artifacts like Josephine Baker''s banana skirt and William Howard Taft''s underpants. Together, they present a road map to the varying scales, angles and methods of transnational analysis that shed light on American politics, empire, gender, and the operation of power in everyday life.

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Affiche du document Improvising Otherwise — Improvising Otherwise
Fatima Lahham
1h03min00
Musique
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84 pages. Temps de lecture estimé 1h03min.
This volume redefines how we approach early music and cultural histories, intertwining feminist, decolonial, and creative perspectives. Fatima Lahham delves into the improvisational practices of early modern England, situating them within a rich tapestry of musical sources, theological texts, travel narratives, and natural histories. Inspired by Sara Ahmed’s notion of the “feminist ear,” the book amplifies voices and histories often unheard, re-examining the cultural interplay between England and the Ottoman Empire in the seventeenth century.This groundbreaking study bridges disciplines and engages with critical race studies to explore decolonial methodologies. Lahham challenges traditional historiographies, integrating improvisation studies and early modern creativity to transform our understanding of historical performance and inspire new practices today. Tracks from her album punctuate the text, fostering an innovative, multi-modal reading experience, while creative prompts invite readers to craft their own improvisations.At once scholarly and imaginative, this book expands the boundaries of historically informed performance and cultural studies. By mobilizing improvisation as a tool for understanding and re-imagining history, Imagining Otherwise offers a vital contribution to early music, feminist theory, and the study of England’s global engagements.

Improvising Otherwise
Fatima Lahham
1h03min00
Musique
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84 pages. Temps de lecture estimé 1h03min.
This volume redefines how we approach early music and cultural histories, intertwining feminist, decolonial, and creative perspectives. Fatima Lahham delves into the improvisational practices of early modern England, situating them within a rich tapestry of musical sources, theological texts, travel narratives, and natural histories. Inspired by Sara Ahmed’s notion of the “feminist ear,” the book amplifies voices and histories often unheard, re-examining the cultural interplay between England and the Ottoman Empire in the seventeenth century.This groundbreaking study bridges disciplines and engages with critical race studies to explore decolonial methodologies. Lahham challenges traditional historiographies, integrating improvisation studies and early modern creativity to transform our understanding of historical performance and inspire new practices today. Tracks from her album punctuate the text, fostering an innovative, multi-modal reading experience, while creative prompts invite readers to craft their own improvisations.At once scholarly and imaginative, this book expands the boundaries of historically informed performance and cultural studies. By mobilizing improvisation as a tool for understanding and re-imagining history, Imagining Otherwise offers a vital contribution to early music, feminist theory, and the study of England’s global engagements.

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Affiche du document Tisser l'avenir : Vers une mode québécoise responsable — Tisser l'avenir : Vers une mode québécoise responsable
Marie-Eve Faust
1h09min00
Photographie
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92 pages. Temps de lecture estimé 1h09min.
La mode québécoise peut-elle réinventer son modèle pour devenir plus responsable et locale ? Les fibres naturelles sont-elles la clé pour réconcilier la mode et le respect de l’environnement ? Découvrez comment vos choix vestimentaires transforment ce secteur grâce à Tisser l’avenir : redécouvrir les fibres locales et durables dans l'industrie de la mode. Entre histoire, innovation et durabilité, ce manifeste pour la mode durable explore l’évolution de cet écosystème, de la production des fibres – naturelles, artificielles et synthétiques – jusqu’à leur commercialisation. Il valorise le savoir-faire régional, encourage les pratiques circulaires et appelle une communauté diversifiée – agriculteurs, designers, entrepreneurs – à repenser leurs pratiques. Une invitation à imaginer la mode non plus comme une simple industrie, mais comme un dialogue vivant entre tradition et innovation, de la ferme à la mode ! Marie-Eve Faust, Ph. D., est professeure à l’École supérieure de mode de l’ESG-UQAM. Elle a dirigé le programme de mode pendant plusieurs années et a enseigné le développement de produits de mode à Hong Kong Polytechnic University, Institute of Textiles and Clothing, ainsi qu’à Philadelphia University. Depuis ses débuts, elle intègre à son enseignement une approche axée sur l’innovation et tient compte du triple objectif économique, social et environnemental. Lylliane Le Quellec, M. Mus., MBSI, M. Ing., est une ingénieure à la retraite. À 55 ans, elle a remplacé la vie en entreprise par la vie à la campagne afin de poursuivre ses deux passions, le violoncelle et son jardin. Le tricot et le crochet ont toujours été des passe-temps qui lui étaient agréables. Il y a quelques années, elle a acheté trois moutons babydoll et a réussi son rêve de faire toute la transformation, du mouton jusqu’au vêtement. Avec la collaboration de Annie-Pier Blain, Philippe Denis, Lila Rousselet et Mathieu St-Arnaud-Lavoie. N/D

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Affiche du document Italian Forgers — Italian Forgers
Carol Helstosky
1h28min30
Littérature & Beaux Arts
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118 pages. Temps de lecture estimé 1h28min.
Italian Forgers takes an unorthodox approach to the fascinating topic of art forgery, focusing not on art forgery per se, but on the major forgery scandals that shifted the Italian art market in response to constant, and often intense, demand for Italian objects. By focusing on power dynamics that both precipitated forgery scandals and forged Italian cultural identities, this book connects the debates and discussions about three well-known Italian forgers—Giovanni Bastianini, Icilio Joni, and Alceo Dossena—to anchor and investigate the mechanics of the Italian art market from unification through the fascist era.Carol Helstosky examines foreign accounts of transactions and Italian writings about the art market. The actions and words of Italian dealers illustrate how the Italian art and antiquities market was an undeniably modern industry, on par with tourism in terms of its contribution to the Italian economy and to understandings of Italian identity. These accounts also reveal how dealers, artists, go-betweens, guides, and restorers worked to not only meet the intense demand for Italian products but also to develop highly sophisticated business practices to maintain financial stability and respond to shifts in demand consciously (but not always conscientiously).Italian Forgers weaves a compelling narrative about the history of Italian identity, forgery, and the value of the past. As a result, Helstosky brings historical perspective to the study of art forgery and art fraud. She reveals how historical circumstances and structural imbalances of cultural power shaped the market for art and antiquities and amplified incidents of art deception and forgery scandals.

Italian Forgers
Carol Helstosky
1h28min30
Littérature & Beaux Arts
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118 pages. Temps de lecture estimé 1h28min.
Italian Forgers takes an unorthodox approach to the fascinating topic of art forgery, focusing not on art forgery per se, but on the major forgery scandals that shifted the Italian art market in response to constant, and often intense, demand for Italian objects. By focusing on power dynamics that both precipitated forgery scandals and forged Italian cultural identities, this book connects the debates and discussions about three well-known Italian forgers—Giovanni Bastianini, Icilio Joni, and Alceo Dossena—to anchor and investigate the mechanics of the Italian art market from unification through the fascist era.Carol Helstosky examines foreign accounts of transactions and Italian writings about the art market. The actions and words of Italian dealers illustrate how the Italian art and antiquities market was an undeniably modern industry, on par with tourism in terms of its contribution to the Italian economy and to understandings of Italian identity. These accounts also reveal how dealers, artists, go-betweens, guides, and restorers worked to not only meet the intense demand for Italian products but also to develop highly sophisticated business practices to maintain financial stability and respond to shifts in demand consciously (but not always conscientiously).Italian Forgers weaves a compelling narrative about the history of Italian identity, forgery, and the value of the past. As a result, Helstosky brings historical perspective to the study of art forgery and art fraud. She reveals how historical circumstances and structural imbalances of cultural power shaped the market for art and antiquities and amplified incidents of art deception and forgery scandals.

Accès libre

Affiche du document I Try Not to Think of Afghanistan — I Try Not to Think of Afghanistan
Anna Reich
1h12min00
Photographie
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96 pages. Temps de lecture estimé 1h12min.
I Try Not to Think of Afghanistan includes photographs and commentaries from Lithuanian veterans of the Soviet War in Afghanistan (1979–89), addressing the lasting realities of war and its effects on those conscripted to fight. Unflinching first-person accounts give details of training, combat, and the often difficult return to society for military conscripts within the Soviet system. Anna Reich gives insight into the experiences of not only the Lithuanian veterans from the Soviet War in Afghanistan but also veterans from all countries who face similar struggles and challenges.For three months, Reich interacted with twenty-two veterans in their homes and meeting halls and throughout their daily routines to produce portraits that provide intimate and unvarnished portrayals of their lives and the lasting effects of forced military service in the Soviet army. Often ostracized socially because of their involvement with the Soviet army, the veterans frequently feel invisible: there are no social programs to assist them in their attempts to address post-traumatic stress disorder and assimilate into society, their cause is largely unknown, and the government responsible for their conscriptions no longer exists.I Try Not to Think of Afghanistan is the culmination of eight years of investigation into the psychological toll of war and trauma. In providing a rarely seen perspective of life after combat, the book intersects with contemporary discourse, specifically the way the US experience in Afghanistan closely mirrors that of the Soviets and the Russian Federation''s forced conscription of young men to fight in Ukraine.

I Try Not to Think of Afghanistan
Anna Reich
1h12min00
Photographie
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96 pages. Temps de lecture estimé 1h12min.
I Try Not to Think of Afghanistan includes photographs and commentaries from Lithuanian veterans of the Soviet War in Afghanistan (1979–89), addressing the lasting realities of war and its effects on those conscripted to fight. Unflinching first-person accounts give details of training, combat, and the often difficult return to society for military conscripts within the Soviet system. Anna Reich gives insight into the experiences of not only the Lithuanian veterans from the Soviet War in Afghanistan but also veterans from all countries who face similar struggles and challenges.For three months, Reich interacted with twenty-two veterans in their homes and meeting halls and throughout their daily routines to produce portraits that provide intimate and unvarnished portrayals of their lives and the lasting effects of forced military service in the Soviet army. Often ostracized socially because of their involvement with the Soviet army, the veterans frequently feel invisible: there are no social programs to assist them in their attempts to address post-traumatic stress disorder and assimilate into society, their cause is largely unknown, and the government responsible for their conscriptions no longer exists.I Try Not to Think of Afghanistan is the culmination of eight years of investigation into the psychological toll of war and trauma. In providing a rarely seen perspective of life after combat, the book intersects with contemporary discourse, specifically the way the US experience in Afghanistan closely mirrors that of the Soviets and the Russian Federation''s forced conscription of young men to fight in Ukraine.

Accès libre

Affiche du document Developing Mission — Developing Mission
W. Ho Joseph
2h27min45
Littérature & Beaux Arts
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197 pages. Temps de lecture estimé 2h28min.
In Developing Mission, Joseph W. Ho offers a transnational cultural history of US and Chinese communities framed by missionary lenses through time and space—tracing the lives and afterlives of images, cameras, and visual imaginations from before the Second Sino-Japanese War through the first years of the People''s Republic of China. When American Protestant and Catholic missionaries entered interwar China, they did so with cameras in hand. Missions principally aimed at the conversion of souls and the modernization of East Asia, became, by virtue of the still and moving images recorded, quasi-anthropological ventures that shaped popular understandings of and formal foreign policy toward China. Portable photographic technologies changed the very nature of missionary experience, while images that missionaries circulated between China and the United States affected cross-cultural encounters in times of peace and war. Ho illuminates the centrality of visual practices in the American missionary enterprise in modern China, even as intersecting modernities and changing Sino-US relations radically transformed lives behind and in front of those lenses. In doing so, Developing Mission reconstructs the almost-lost histories of transnational image makers, subjects, and viewers across twentieth-century China and the United States.

Developing Mission
W. Ho Joseph
2h27min45
Littérature & Beaux Arts
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197 pages. Temps de lecture estimé 2h28min.
In Developing Mission, Joseph W. Ho offers a transnational cultural history of US and Chinese communities framed by missionary lenses through time and space—tracing the lives and afterlives of images, cameras, and visual imaginations from before the Second Sino-Japanese War through the first years of the People''s Republic of China. When American Protestant and Catholic missionaries entered interwar China, they did so with cameras in hand. Missions principally aimed at the conversion of souls and the modernization of East Asia, became, by virtue of the still and moving images recorded, quasi-anthropological ventures that shaped popular understandings of and formal foreign policy toward China. Portable photographic technologies changed the very nature of missionary experience, while images that missionaries circulated between China and the United States affected cross-cultural encounters in times of peace and war. Ho illuminates the centrality of visual practices in the American missionary enterprise in modern China, even as intersecting modernities and changing Sino-US relations radically transformed lives behind and in front of those lenses. In doing so, Developing Mission reconstructs the almost-lost histories of transnational image makers, subjects, and viewers across twentieth-century China and the United States.

Accès libre

Affiche du document Didactique de l'éducation musicale — Didactique de l'éducation musicale
Kouakou Kanga
1h11min15
Musique
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95 pages. Temps de lecture estimé 1h11min.
Conçu pour tous les niveaux d'enseignement de l'Education musicale, ce manuel est élaboré sur une méthodologie éprouvée de pratique d'enseignement, d'encadrement et nourri de notions théoriques fondamentales. Il est destiné aux enseignants et aux professeurs stagiaires des différents ordres d'enseignement: périscolaire, primaire, secondaire et supérieur. Ce manuel est également un guide qui vient combler un vide documentaire relatif à l'enseignement de l'Education musicale tant en Côté d'Ivoire que dans la sous-région ouest-africaine.

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Affiche du document Didactique de l'éducation musicale — Didactique de l'éducation musicale
Kouakou Kanga
36min00
Musique
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48 pages. Temps de lecture estimé 36min.
L'enseignement de l'Education musicale repose sur trois rubriques: le chant, le solfège et l'audition d'oeuvres. Chacune de ces rubriques requiert une pratique didactique particulière qui constitue l'objet de ce tome 2. Le contenu de celui-ci présente des outils pédagogiques indispensables à l'enseignement-apprentissage de l'Education musicale.

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Affiche du document History of Plague in Java, 1911-1942 — History of Plague in Java, 1911-1942
Bastiaan Meerwijk Maurits
1h28min30
Architecture et design
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118 pages. Temps de lecture estimé 1h28min.
In A History of Plague in Java, 1911–1942, Maurits Bastiaan Meerwijk demonstrates how the official response to the 1911 outbreak of plague in Malang led to one of the most invasive health interventions in Dutch colonial Indonesia. Eager to combat disease, Dutch physicians and officials integrated the traditional Javanese house into the "rat-flea-man" theory of transmission. Hollow bamboo frames and thatched roofs offered hiding spaces for rats, suggesting a material link between rat plague and human plague. Over the next thirty years, 1.6 million houses were renovated or rebuilt, millions more were subjected to periodic inspection, and countless Javanese were exposed to health messaging seeking to "rat-proof" their beliefs along with their houses.The transformation of houses, villages, and people was documented in hundreds of photographs and broadcast to overseas audiences as evidence of the "ethical" nature of colonial rule, proving so effective as propaganda that the rebuilding continued even as better alternatives, such as inoculation, became available. By systematically reshaping the built environment, the Dutch plague response dramatically expanded colonial oversight and influence in rural Java.

History of Plague in Java, 1911-1942
Bastiaan Meerwijk Maurits
1h28min30
Architecture et design
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118 pages. Temps de lecture estimé 1h28min.
In A History of Plague in Java, 1911–1942, Maurits Bastiaan Meerwijk demonstrates how the official response to the 1911 outbreak of plague in Malang led to one of the most invasive health interventions in Dutch colonial Indonesia. Eager to combat disease, Dutch physicians and officials integrated the traditional Javanese house into the "rat-flea-man" theory of transmission. Hollow bamboo frames and thatched roofs offered hiding spaces for rats, suggesting a material link between rat plague and human plague. Over the next thirty years, 1.6 million houses were renovated or rebuilt, millions more were subjected to periodic inspection, and countless Javanese were exposed to health messaging seeking to "rat-proof" their beliefs along with their houses.The transformation of houses, villages, and people was documented in hundreds of photographs and broadcast to overseas audiences as evidence of the "ethical" nature of colonial rule, proving so effective as propaganda that the rebuilding continued even as better alternatives, such as inoculation, became available. By systematically reshaping the built environment, the Dutch plague response dramatically expanded colonial oversight and influence in rural Java.

Accès libre

Affiche du document Méthodes et techniques de planification urbaine par approche croissance verte au Sénégal — Méthodes et techniques de planification urbaine par approche croissance verte au Sénégal
Amadou Sadio Dia
2h21min00
Architecture et design
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188 pages. Temps de lecture estimé 2h21min.
Cet ouvrage propose un cadre conceptuel et opérationnel pour la mise en place de projets urbains dans le contexte du développement territorial au Sénégal. Il établit un équilibre entre réflexion théorique, inspirée par les recherches universitaires, et les pratiques concrètes sur le terrain des paysages urbains. Le concept clé développé est celui de la « ville secondaire verte », qui sert d’interface entre urbanisme et développement territorial. Cette notion permet de concilier les enjeux du développement urbain et l’aménagement des territoires, tout en intégrant les espaces ruraux et urbains à l’échelle régionale, en lien avec l’Afrique de l’Ouest.L’ouvrage propose des méthodes et techniques de planification urbaine fondées sur une approche de « croissance verte », qui inclut des aspects de programmation, gestion foncière, construction et équipement d’infrastructures.

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Affiche du document Monuments for Posterity — Monuments for Posterity
Antony Kalashnikov
1h21min00
Architecture et design
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108 pages. Temps de lecture estimé 1h21min.
Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics. By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to "immortalize the memory" of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future—both in the Soviet Union and beyond its borders. Monuments for Posterity shifts the perspective from monuments'' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments'' intentional attempts to seduce us—the "posterity" for whom they were built.

Monuments for Posterity
Antony Kalashnikov
1h21min00
Architecture et design
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108 pages. Temps de lecture estimé 1h21min.
Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics. By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to "immortalize the memory" of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future—both in the Soviet Union and beyond its borders. Monuments for Posterity shifts the perspective from monuments'' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments'' intentional attempts to seduce us—the "posterity" for whom they were built.

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Affiche du document Futurist Files — Futurist Files
Iva Glisic
1h47min15
Littérature & Beaux Arts
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143 pages. Temps de lecture estimé 1h47min.
Futurism was Russia''s first avant-garde movement. Gatecrashing the Russian public sphere in the early twentieth century, the movement called for the destruction of everything old, so that the past could not hinder the creation of a new, modern society. Over the next two decades, the protagonists of Russian Futurism pursued their goal of modernizing human experience through radical art. The success of this mission has long been the subject of scholarly debate. Critics have often characterized Russian Futurism as an expression of utopian daydreaming by young artists who were unrealistic in their visions of Soviet society and naïve in their comprehension of the Bolshevik political agenda. By tracing the political and ideological evolution of Russian Futurism between 1905 and 1930, Iva Glisic challenges this view, demonstrating that Futurism took a calculated and systematic approach to its contemporary socio-political reality. This approach ultimately allowed Russia''s Futurists to devise a unique artistic practice that would later become an integral element of the distinctly Soviet cultural paradigm. Drawing upon a unique combination of archival materials and employing a theoretical framework inspired by the works of philosophers such as Lewis Mumford, Karl Mannheim, Ernst Bloch, Fred Polak, and Slavoj Žižek, The Futurist Files presents Futurists not as blinded idealists, but rather as active and judicious participants in the larger project of building a modern Soviet consciousness. This fascinating study ultimately stands as a reminder that while radical ideas are often dismissed as utopian, and impossible, they did—and can—have a critical role in driving social change. It will be of interest to art historians, cultural historians, and scholars and students of Russian history.

Futurist Files
Iva Glisic
1h47min15
Littérature & Beaux Arts
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143 pages. Temps de lecture estimé 1h47min.
Futurism was Russia''s first avant-garde movement. Gatecrashing the Russian public sphere in the early twentieth century, the movement called for the destruction of everything old, so that the past could not hinder the creation of a new, modern society. Over the next two decades, the protagonists of Russian Futurism pursued their goal of modernizing human experience through radical art. The success of this mission has long been the subject of scholarly debate. Critics have often characterized Russian Futurism as an expression of utopian daydreaming by young artists who were unrealistic in their visions of Soviet society and naïve in their comprehension of the Bolshevik political agenda. By tracing the political and ideological evolution of Russian Futurism between 1905 and 1930, Iva Glisic challenges this view, demonstrating that Futurism took a calculated and systematic approach to its contemporary socio-political reality. This approach ultimately allowed Russia''s Futurists to devise a unique artistic practice that would later become an integral element of the distinctly Soviet cultural paradigm. Drawing upon a unique combination of archival materials and employing a theoretical framework inspired by the works of philosophers such as Lewis Mumford, Karl Mannheim, Ernst Bloch, Fred Polak, and Slavoj Žižek, The Futurist Files presents Futurists not as blinded idealists, but rather as active and judicious participants in the larger project of building a modern Soviet consciousness. This fascinating study ultimately stands as a reminder that while radical ideas are often dismissed as utopian, and impossible, they did—and can—have a critical role in driving social change. It will be of interest to art historians, cultural historians, and scholars and students of Russian history.

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Affiche du document La Ville aux fromagers — La Ville aux fromagers
Souleymane Diallo
1h05min15
Architecture et design
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87 pages. Temps de lecture estimé 1h05min.
Dans une approche métaphorique, l’auteur revient sur trente ans d’histoire politique contemporaine de Dagana (1994-2024). Il y présente les dynamiques politiques, les changements sociaux et économiques, les acteurs, leurs implications, leurs stratégies, leurs génies, mais aussi leurs tares qui tous font l’histoire contemporaine de la ville de Dagana.Ce livre a la particularité de montrer la vision politique de son auteur, ses envies, ses projets, sa compréhension des enjeux et des solutions qu’il envisage pour contribuer au développement de sa localité. Le parcours académique et professionnel de son auteur lui confère toute la légitimité pour ouvrir des perspectives.

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Affiche du document Milwaukee in Stone and Clay — Milwaukee in Stone and Clay
Raymond Wiggers
2h00min00
Architecture et design
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160 pages. Temps de lecture estimé 2h00min.
Milwaukee in Stone and Clay follows directly in the footsteps of Raymond Wiggers''s previous award-winning book, Chicago in Stone and Clay. It offers a wide-ranging look at the fascinating geology found in the building materials of Milwaukee County''s architectural landmarks. And it reveals the intriguing and often surprising links between science, art, and engineering. Laid out in two main sections, the book first introduces the reader to the fundamentals of Milwaukee''s geology and its amazing prehuman history, then provides a site-by-site tour guide. Written in an engaging, informal style, this work presents the first in-depth exploration of the interplay among the region''s most architecturally significant sites, the materials they''re made of, and the sediments and bedrock they''re anchored in. Raymond Wiggers crafted Milwaukee in Stone and Clay as an informative and exciting overview of this city. His two decades of experience leading architectural-geology tours have demonstrated the popularity of this approach and the subject matter.

Milwaukee in Stone and Clay
Raymond Wiggers
2h00min00
Architecture et design
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160 pages. Temps de lecture estimé 2h00min.
Milwaukee in Stone and Clay follows directly in the footsteps of Raymond Wiggers''s previous award-winning book, Chicago in Stone and Clay. It offers a wide-ranging look at the fascinating geology found in the building materials of Milwaukee County''s architectural landmarks. And it reveals the intriguing and often surprising links between science, art, and engineering. Laid out in two main sections, the book first introduces the reader to the fundamentals of Milwaukee''s geology and its amazing prehuman history, then provides a site-by-site tour guide. Written in an engaging, informal style, this work presents the first in-depth exploration of the interplay among the region''s most architecturally significant sites, the materials they''re made of, and the sediments and bedrock they''re anchored in. Raymond Wiggers crafted Milwaukee in Stone and Clay as an informative and exciting overview of this city. His two decades of experience leading architectural-geology tours have demonstrated the popularity of this approach and the subject matter.

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