Documents pour «Cornell University Press»

Documents pour "Cornell University Press"
Affiche du document Morkinskinna

Morkinskinna

M. Andersson Theodore

7h10min30

  • Etudes littéraires
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574 pages. Temps de lecture estimé 7h10min.
Morkinskinna ("e;rotten parchment"e;), the first full-length chronicle of the kings of medieval Norway (1030-1157), forms the basis of the Icelandic chronicle tradition. Based ultimately on an original from ca. 1220, the single defective manuscript was written in Iceland ca. 1275. The present volume, the first translation of Morkinskinna in any language, makes this literary milestone available to a general readership, with introduction and commentary to clarify its position in the history of medieval Icelandic letters. The book is designed to be used by readers with no knowledge of Icelandic. The translation is keyed to, and may be used in conjunction with, the existing diplomatic editions. Notes on the manuscript problems, as well as introductory and appended matter, augment the text. Above all, Kari Ellen Gade's edition of the skaldic stanzas provides a substantial initial step toward a future edition of the Icelandic text: Morkinskinna is the first large-scale repository of skaldic verse. Morkinskinna also includes many semi-independent tales that recount the adventures of individual Icelanders at the Norwegian court. These tales, with their often humorous or ironic inflections, shift the focus of the chronicle from the deeds of the kings to the Icelandic perception of Norwegian royalty.
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Affiche du document Language and Power

Language and Power

O'G. Anderson Benedict R.

4h00min45

  • Sciences humaines et sociales
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321 pages. Temps de lecture estimé 4h1min.
In this lively book, Benedict R. O'G Anderson explores the cultural and political contradictions that have arisen from two critical facts in Indonesian history-that while the Indonesian nation is young, the Indonesian state is ancient, originating in the early seventeenth-century Dutch conquests; and that contemporary politics are conducted in a new language, Bahasa Indonesia, by peoples (especially the Javanese) whose cultures are rooted in medieval times. Analyzing a spectrum of examples from classical poetry to public monuments and cartoons, Anderson deepens our understanding of the interaction between modern and traditional notions of power, the meditation of power by language, and the development of national consciousness.This volume brings together eight of Anderson's most influential essays written over the past two decades. Most of the essays address aspects of Javanese political culture-from the early nineteenth century, when the Javanese did not yet have words for politics, colonialism, society, or class, through the early nationalism of the 1900s, to the era of independence after World War II, when deep internal tensions exploded into large-scale massacres. In the first group of essays Anderson considers how power was imagined in traditional Javanese society, and how these imaginings shaped Indonesia's modern politics. Other essays focus on the significance of the incongruences between the egalitarian, ironizing national language through which modern Indonesia has been imagined and the powerful influence of the hierarchical, authoritarian Javanese official culture. Finally, two essays on consciousness illuminate the crucial eras before and after the rise of Indonesia's nationalist movement. One reflects on Javanese intellectuals' phantasmagoric efforts to keep imagining "e;Java"e; as the island was overrun by colonial capitalism and absorbed into the huge, heterogeneous Netherlands East Indies; the second traces the transition from old culture to new nation through the autobiography of an eminent Javanese first-generation nationalist politician.
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Affiche du document After Antiquity

After Antiquity

Margaret Alexiou

7h24min00

  • Etudes littéraires
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592 pages. Temps de lecture estimé 7h24min.
With the publication of Ritual Lament in Greek Tradition, widely considered a classic in Modern Greek studies and in collateral fields, Margaret Alexiou established herself as a major intellectual innovator on the interconnections among ancient, medieval, and modern Greek cultures. In her new, eagerly awaited book, Alexiou looks at how language defines the contours of myth and metaphor. Drawing on texts from the New Testament to the present day, Alexiou shows the diversity of the Greek language and its impact at crucial stages of its history on people who were not Greek. She then stipulates the relatedness of literary and "e;folk"e; genres, and assesses the importance of rituals and metaphors of the life cycle in shaping narrative forms and systems of imagery.Alexiou places special emphasis on Byzantine literary texts of the sixth and twelfth centuries, providing her own translations where necessary; modern poetry and prose of the nineteenth and twentieth centuries; and narrative songs and tales in the folk tradition, which she analyzes alongside songs of the life cycle. She devotes particular attention to two genres whose significance she thinks has been much underrated: the tales (paramythia) and the songs of love and marriage.In exploring the relationship between speech and ritual, Alexiou not only takes the Greek language into account but also invokes the neurological disorder of autism, drawing on clinical studies and her own experience as the mother of autistic identical twin sons.
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Affiche du document &quote;Odyssey&quote; Re-formed

"e;Odyssey"e; Re-formed

Frederick Ahl

4h24min00

  • Etudes littéraires
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352 pages. Temps de lecture estimé 4h24min.
Frederick Ahl and Hanna M. Roisman believe that contemporary readers who do not know ancient Greek can gain a sophisticated grasp of the Odyssey if they are aware of some of the issues that intrigue and puzzle the experts. They offer a challenging new reading of the epic that is directed to the general student of literature as well as to the classicist.Ahl and Roisman suggest that, while translators have served the Odyssey and its English-speaking readers remarkably well, the nonspecialist wishing to do a more detailed, critical reading of the epic faces a dilemma. The enormous scholarly literature makes few concessions to the nonspecialist, and those studies designed for general readers tend to offer variations on the overly simple, idealized readings of the epic common in high school and college survey courses.The Odyssey Re-Formed offers a lively and detailed reading of the Odyssey, episode by episode, with particular attention paid to the manipulative power of its language and Homer's skill in using that power. The authors explore how myth is shaped for specific, rhetorical reasons and suggest ways in which the epic uses its audience's awareness of the varied pool of mythic traditions to give the Odyssey remarkable and subtle resonances that have profound poetic power.
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Affiche du document Gendered Domains

Gendered Domains

4h36min45

  • Sciences humaines et sociales
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369 pages. Temps de lecture estimé 4h37min.
For over two centuries the notion that societies have been sharply divided into women's (private) and men's (public) spheres has been used both to describe and to prescribe social life. More recently, it has been applied and critiqued by feminist scholars as an explanation for women's oppression. Spanning a rich array of historical contexts-from medieval nunneries to Ottoman harems to Paris communes to electronics firms in today's Silicon Valley-the twenty essays collected here offer a pathbreaking reassessment of the significance of the concept of separate spheres.After a theoretical introduction by the editors, certain essays reexamine historians' definitions of public and private realms and show how the imposition of these categories often obscures the realities of power structures and the alterable nature of gender roles. Other chapters consider how the concept of separate domains has been used to control women's actions. Additional essays explore the limits of public/private distinctions, focusing on women's working lives, the role of the state in the family, and the ways in which women including Native North Americans, African-Americans in the birth control movement, and participants in the lesbian bar culture have themselves reshaped the model of separate spheres.Making available the best papers on the public/private theme delivered at the 1987 Berkshire Conference on the History of Women, Gendered Domains will be welcomed by anyone interested in women's studies, including historians, political scientists, feminist theorists, anthropologists, sociologists, and philosophers.
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Affiche du document Racism and Philosophy

Racism and Philosophy

E. Babbitt Susan

3h48min00

  • Philosophie
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304 pages. Temps de lecture estimé 3h48min.
By definitively establishing that racism has broad implications for how the entire field of philosophy is practiced-and by whom-this powerful and convincing book puts all members of the discipline on notice that racism concerns them. It simultaneously demonstrates to race theorists the significance of philosophy for their work.A distinguished cast of authors takes a stand on the importance of race, focusing on the insights that analyses of race and racism can make to philosophy-not just to ethics and political philosophy but also to the more abstract debates of metaphysics, philosophy of mind, and epistemology. Contemporary philosophy, the authors argue, continues to evade racism and, as a result, often helps to promote it. At the same time, anti-racist theorists in many disciplines regularly draw on crucial notions of objectivity, rationality, agency, individualism, and truth without adequate knowledge of philosophical analyses of these very concepts. Racism and Philosophy demonstrates the impossibility of talking thoughtfully about race without recourse to philosophy. Written to engage readers with a wide variety of interests, this is an essential book for all theorists of race and for all philosophers.
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Affiche du document Song of Songs in the Middle Ages

Song of Songs in the Middle Ages

W. Astell Ann

2h39min00

  • Histoire
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212 pages. Temps de lecture estimé 2h39min.
Included among the sacred books of Judaism and Christianity alike, the Song of Songs does not mention God at all; on the surface it is a lyrical exchange between unnamed lovers who articulate the range of emotions associated with sexual love. Ann W. Astell here examines medieval reader response, both interpretive and imitative, to the Song. Disputing the common view that the literal meaning of Canticles had no value for medieval readers, Astell points to twelfth-century commentaries on the Song, as well as an array of Middle English works, as evidence that the Song's sensuous imagery played an essential part in its tropological appeal.Emphasizing the ways in which a complex fusion of the Song's carnal and spiritual meanings appealed rhetorically to a variety of audiences, Astell first considers interpretive responses to Canticles, contrasting Origen's dialectical exposition with the affective commentaries of the twelfth century-ecclesiastical, Marian, and mystical. According to Astell, these commentaries present Canticles as a marriage song that mirrors a series of analogous marriages, both within the individual and between human and divine persons. Astell describes interpretations of the Song of Songs in terms of the various feminine archetypes that the expositors emphasize-the Virgin, Mother, Hetaira, or Medium. She maintains that the commentat5ors encourage the auditor's identification with the figure of the Bride so as to evoke and direct the feminine, affective powers of the soul. Turning to literature influenced by the Song, she then discusses how the reading process is reinscribed in selected works in Middle English, including Richard Rolle's autobiographical writings, Pearl, religious love lyrics, and cycle dramas.The Song of Songs in the Middle Ages provides an innovative model of reader response that opens the way for a deeper understanding of the literary influence of biblical texts.
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Affiche du document Sanin

Sanin

Mikhail Artsybashev

3h30min00

  • SF et fantasy
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280 pages. Temps de lecture estimé 3h30min.
"e;It evoked almost unprecedented discussions, like those at the time of Turgenev's Fathers and Sons. Some praised the novel far more than it deserved, others complained bitterly that it was a defamation of youth. I may, however, without exaggeration assert that no one in Russia took the trouble to fathom the ideas of the novel. The eulogies and condemnations are equally one-sided."e; Thus did Mikhail Artsybashev (1878-1927), whose novels and short stories are suffused with themes of sex, suicide, and murder, describe the reaction to publication in 1907 of Sanin, his second novel. The work provoked heated debates among the Russian reading public, and the journal in which it was published serially was soon closed down by the authorities.The hero of Artsybashev's novel exhibits a set of new values to be contrasted with the morality of the older Russian intelligentsia. Sanin is an attractive, clever, powerful, life-loving man who is, at the same time, an amoral and carnal animal, bored both by politics and by religion. During the novel he lusts after his own sister, but defends her when she is betrayed by an arrogant officer; he deflowers an innocent-but-willing virgin; and encourages a Jewish friend to end his self-doubts by committing suicide. Sanin's extreme individualism greatly appealed to young people in Russia during the twilight years of the Romanov regime. "e;Saninism"e; was marked by sensualism, self-gratification, and self-destruction-and gained in credibility in an atmosphere of moral and spiritual despondency.Artybashev drew upon a wide range of sources for his inspiration-Sanin owes debts to Dostoevsky's Notes from Underground, Nietzsche's notion of the "e;superman,"e; and the work of the individualist anarchist philosopher Johann Kaspar Schmidt. Michael R. Katz's translation of this controversial novel is the first into English in almost seventy years."e;Russian pornography is not plain pornography such as the French and Germans produce, but pornography with ideas."e;-Kornei Chukovsky"e;Those who saw in the much discussed novel only suggestive scenes, shocking their morality or titillating their senses, were mistaken; it was, as usual in Russia, a book with a message, and Sanin slept with all his mistresses to prove a thesis rather than to obey a natural urge."e;-Marc Slonim
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Affiche du document Landlords and Farmers in the Hudson-Mohawk Region, 1790-1850

Landlords and Farmers in the Hudson-Mohawk Region, 1790-1850

Maldwyn Ellis David

4h31min30

  • Histoire
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362 pages. Temps de lecture estimé 4h31min.
The transition from a predominantly self-sufficient economy to one primarily dependent on the market in the first half of the nineteenth century was to effect changes in the United States fully as far-reaching if not as spectacular as those accompanying the industrial revolution. Farming as a way of life was yielding place to the concept of farming as a means of profit. Few farmers in the country felt the impact of these revolutionary forces more directly than those of eastern New York State. Indeed, discontent over these changes contributed to the violent Anti-Rent War (1839-1846) centered in the Catskills.How New York farmers met these challenges is the central theme of Landlords and Farmers in the Hudson-Mohawk Region, 1790-1850. Focusing on twenty-one counties in eastern New York, David Maldwyn Ellis describes the process of settlement, the growth of population, and the characteristics of pioneer agriculture; traces the rapid shifts from grain culture to sheep raising and dairying; and points out the variety of individual and local adjustments caused by differences in soil, topography, accessibility to market, cultural legacies, and individual enterprise. Ellis also contrasts the forces leading to rural decline with the beginnings of scientific husbandry and agricultural education; evaluates the role of roads, canals, and railroads, and outlines the land pattern and the effect of leasehold upon the region's agrarian development.In short, this classic work of American agricultural history and the history of New York State-originally published by Cornell in 1946-chronicles the transformation of the pioneer farmer into the dairyman.
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Affiche du document Kantian Ethics Almost without Apology

Kantian Ethics Almost without Apology

W. Baron Marcia

3h16min30

  • Philosophie
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262 pages. Temps de lecture estimé 3h16min.
A reappraisal on the emphasis on duty in Immanuel Kant's ethics is long overdue. Marcia W. Baron evaluates and for the most part defends Kantian ethics against two frequent criticisms: that duty plays too large a role, leaving no room for the supererogatory; and that Kant places too much value on acting from duty.The author first argues that Kant's distinction between perfect and imperfect duties provides a plausible and intriguing alternative to contemporary approaches to charity, self-sacrifice, heroism, and saintliness. She probes the differences between the supererogationist and the Kantian, exploring the motivation between the former's position and bringing to light sharply divided views on the nature of moral constraint and excellence. Baron then confronts problems associated with Kant's account of moral motivation, she argues that the value that Kant attaches to acting from duty attaches primarily to governing ones conduct by a commitment to doing what morality asks. Thus understood, Kant's ethics steers clear of the most serious criticism. Of special interest is her discussion of overdetermination.Clearly written and cogently argued, Kantian Ethics Almost without Apology takes on the most philosophically intriguing challenges to Kantian ethics and subjects them to a rigorous yet sympathetic assessment. Readers will find here original contributions to the debate over impartial morality.
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Affiche du document Drugs and the Limits of Liberalism

Drugs and the Limits of Liberalism

2h51min00

  • Politique
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228 pages. Temps de lecture estimé 2h51min.
Society's drug problem will persist, and debates over how to solve it will continue, getting nowhere, until we define our terms. This book is an effort to do just that-to parse the legal, moral, and philosophical underpinnings for any discussion of drug policy. Does liberal political theory, with its commitment to individual freedom, offer any guidance in the matter of drugs, particularly regarding their legal status? Do the commitments that citizens of liberal democracies make-commitments to ideals such as rationality, equality, justice, and democratic forms of decision-making-have implications for drug policy? These are the questions addressed in this volume, which explores the possibilities and limitations of philosophical reflection on this pressing, practical social issue.The authors, distinguished political and legal philosophers, search out the justification of policies that manage problems of drug consumption and social disintegration, but do so in keeping with the moral and political commitments of a liberal democratic society. Their subjects range from the rationality or irrationality of drug consumption to the scope of liberty; from the proper aims of legislation to the rhetoric of the war on drugs, particularly as deployed by former "e;Drug Czar"e; William Bennett.
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Affiche du document Cultures at War

Cultures at War

3h48min45

  • Histoire
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305 pages. Temps de lecture estimé 3h49min.
The Cold War in Southeast Asia was a many-faceted conflict, driven by regional historical imperatives as much as by the contest between global superpowers. The essays in this book offer the most detailed and probing examination to date of the cultural dimension of the Cold War in Southeast Asia. Southeast Asian culture from the late 1940s to the late 1970s was primarily shaped by a long-standing search for national identity and independence, which took place in the context of intense rivalry between the United States and the Soviet Union, with the Peoples' Republic of China emerging in 1949 as another major international competitor for influence in Southeast Asia. Based on fieldwork in Burma, Indonesia, Laos, Malaysia, the Philippines, Singapore, Thailand, and Vietnam, the essays in this collection analyze the ways in which art, literature, film, theater, spectacle, physical culture, and the popular press represented Southeast Asian responses to the Cold War and commemorated that era's violent conflicts long after tensions had subsided. Southeast Asian cultural reactions to the Cold War involved various solutions to the dilemmas of the newly independent nation-states of the region. What is common to all of the perspectives and works examined in this book is that they expressed social and aesthetic concerns that both antedated and outlasted the Cold War, ones that never became simply aligned with the ideologies of either bloc.Contributors:Francisco B. Benitez, University of Washington; Bo Bo, Burmese writer (SOAS, University of London); Michael Bodden, University of Victoria; Simon Creak, Australian National University; Gaik Cheng Khoo, Australian National University; Rachel Harrison, SOAS, University of London; Barbara Hatley, University of Tasmania; Boitran Huynh-Beattie, Asiarta Foundation; Jennifer Lindsay, Australian National University
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Affiche du document Contested Ground

Contested Ground

Emmius Davis John

4h36min45

  • Sciences humaines et sociales
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369 pages. Temps de lecture estimé 4h37min.
One of the most striking characteristics of urban protest and social conflict in the United States, Britain, and other nations of the West over the last three decades is the frequency with which these political events have been organized not where people work, but where they live. The residential communities in which people have their homes, raise their children, and relate to each other more as neighbors than as co-workers have become veritable seedbeds of collective action. Contested Ground provides a new approach to understanding how and why such community-based action occurs.Drawing critically and selectively from Marxian theories of conflict and neo-Weberian theories of "e;housing classes,"e; John Emmeus Davis argues that the political life of residential communities can be explained largely in terms of the competing interests that groups possess by virtue of different and distinctive ways of relating to their community's "e;domestic property"e;land and buildings that are used for shelter. In Part I of his book he proposes domestic property interests as the cornerstone of a theoretical framework for exploring the appearance and disappearance, the development and decline, and the cooperation and conflict of the organized groups of the "e;homeplace."e; In Part II he tests the plausibility of this framework against the social and political realities of an inner-city neighborhood known as the West End in Cincinnati, Ohio. A neighborhood shaped by successive waves of priyate investment and disinvestment, city neglect and city planning, urban renewal and gentrification, the domestic property of the West End has been the contested ground from which many community organizations have grown. Using archival records, oral histories, and organizational documents, Davis unfolds the story of the rise and fall of these grassroots groups. Davis's concluding chapters evaluate the theoretical and practical implications of his approach. He believes that his analysis may complement neo-Marxian theories of urban development and capitalist reproduction and also provide new insight into ways in which planners, activists, and policy makers can influence the internal politics of the urban neighborhood.
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Affiche du document Definitions of Art

Definitions of Art

Davies Stephen

3h12min45

  • Littérature & Beaux Arts
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257 pages. Temps de lecture estimé 3h13min.
In the last thirty years, work in analytic philosophy of art has flourished, and it has given rise to considerably controversy. Stephen Davies describes and analyzes the definition of art as it has been discussed in Anglo-American philosophy during this period and, in the process, introduces his own perspective on ways in which we should reorient our thinking.Davies conceives of the debate as revealing two basic, conflicting approaches-the functional and the procedural-to the questions of whether art can be defined, and if so, how. As the author sees it, the functionalist believes that an object is a work of art only if it performs a particular function (usually, that of providing a rewarding aesthetic experience). By contrast the proceduralist believes that something is an artwork only if it has been created according to certain rules and procedures. Davies attempts to demonstrate the fruitfulness of viewing the debate in terms of this framework, and he develops new arguments against both points of view-although he is more critical of functional than of procedural definitions.Because it has generated so much of the recent literature, Davies starts his analysis with a discussion of Morris Weitz's germinal paper, "e;The Role of Theory in Aesthetics."e; He goes on to examine other important works by Arthur Danto, George Dickie, and Ben Tilghman and develops in his critiques original arguments on such matters of the artificiality of artworks and the relevance of artists' intentions.
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Affiche du document Colonial Odysseys

Colonial Odysseys

David Adams

3h18min45

  • Etudes littéraires
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265 pages. Temps de lecture estimé 3h19min.
Works such as Joseph Conrad's Heart of Darkness and Lord Jim, Virginia Woolf's The Voyage Out, E. M. Forster's A Passage to India, and Evelyn Waugh's A Handful of Dust explore the relationship between Britain and its colonies when the British Empire was at its height. David Adams observes that, because of their structure and specific literary allusions, they also demand to be read in relation to the epic tradition. The elegantly written and powerfully argued Colonial Odysseys focuses on narratives published in English between 1890 and 1940 in which protagonists journey from the familiar world of Europe to alien colonial worlds. The underlying concerns of these narratives, Adams discovers, are often less political or literary than metaphysical: in each of these fictions a major character dies as a result of the journey, inviting reflection on the negation of existence. Repeatedly, imaginative encounters with distant, uncanny colonies produce familiar, insular presentations of life as an odyssey, with death as the home port. Expanding postcolonial and Marxist theories by drawing on the philosophy of Hans Blumenberg, Adams finds in this preoccupation with mortality a symptom of the failure of secular culture to give meaning to death. This concern, in his view, shapes the ways modernist narratives reinforce or critique imperial culture-the authors project onto British imperial experience their anxieties about the individual's relation to the absolute.
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Affiche du document Paris 1937

Paris 1937

D. Herbert James

2h48min00

  • Littérature & Beaux Arts
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224 pages. Temps de lecture estimé 2h48min.
This elegant and theoretically informed book, illustrated with forty-five photographs, explores the cultural significance of six exhibitions or new museum installations, all opening in Paris between mid-1937 and early 1938: the commercially oriented world's fair titled L'Exposition Internationale des Art et Techniques; the historical Musee des Monuments Francais; the ethnographic Musee de l'Homme; two massive art retrospectives, one sponsored by the state of France and the other by the municipality of Paris; and L'Exposition Internationale du Surrealisme.James D. Herbert capitalizes on the proximity of these disparate exhibits to show how they competed with and yet also complemented one another in visually rendering the full scope of human accomplishment through time and across the globe. In this task, Herbert argues, they both succeeded and failed in interesting and productive ways. He asserts that the exhibitions projected and, in a sense, created (created precisely through the act of projection) the real world that they ostensibly only represented.In fact, Herbert argues, the exhibitions developed a particular sense of French national identity-one that, in managing to be at the same moment both inwardly focused and beneficently expansive, would present a vivid contrast to the growing German nationalism of the Third Reich. His epilogue takes a final look at these issues from the perspective of Jean Cocteau's 1950 film Orphee. A ground-breaking work in cultural history, Paris 1937, with its insightful examination of objects from a variety of fields, is a pioneering text in the field of visual studies.
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Affiche du document Magic City

Magic City

Pappas Gregory

2h50min15

  • Sciences humaines et sociales
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227 pages. Temps de lecture estimé 2h50min.
Thirty-two million Americans have lost jobs because of permanent factory closings since 1970. Gregory Pappas here provides an intimate account of the economic, social, psychological, and medical consequences of one such closing.Once known as "e;the magic city"e; of economic opportunity, Barberton, Ohio, is an industrial working-class town of second- and third-generation factory workers. When the Seiberling tire plant in Barberton was closed in 1980, over 1200 jobs were eliminated. Drawing on extensive research, including surveys and interviews with workers laid off by the closing, Pappas offers an incisive analysis of their responses to unemployment. Pappas first details the ways in which the unemployed rubber workers have met their economic needs in the face of declining income. He next evaluates their success in reentering the labor market, as he examines the job-hunting process, the unemployment insurance system, and workers' initiatives toward retraining and relocation. Turning to the psychological effects of the shutdown on workers and their families, Pappas describes unemployed workers' responses to the loss of status, identity, participation in the community, and sense of time. He next considers central historical questions, offering an explanation of the contemporary rise in unemployment and analyzing the prior development of this community that must now bear the burden of change. Two detailed portraits document the adaptations of individuals to the shutdown and explore the complex relationship between social change and personality.
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Affiche du document Phantom Billing, Fake Prescriptions, and the High Cost of Medicine

Phantom Billing, Fake Prescriptions, and the High Cost of Medicine

L. Leap Terry

1h57min45

  • Medecine
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  • Livre epub
  • Livre lcp
157 pages. Temps de lecture estimé 1h58min.
U.S. health care is a $2.5 trillion system that accounts for more than 17 percent of the nation's GDP. It is also highly susceptible to fraud. Estimates vary, but some observers believe that as much as 10 percent of all medical billing involves some type of fraud. In 2009, New York's Medicaid fraud office recovered $283 million and obtained 148 criminal convictions. In July 2010, the U.S. Justice Department charged nearly 100 patients, doctors, and health care executives in five states of bilking the Medicare system out of more than $251 million through false claims for services that were medically unnecessary or never provided. These cases only hint at the scope of the problem.In Phantom Billing, Fake Prescriptions, and the High Cost of Medicine, Terry L. Leap takes on medical fraud and its economic, psychological, and social costs. Illustrated throughout with dozens of specific and often fascinating cases, this book covers a wide variety of crimes: kickbacks, illicit referrals, overcharging and double billing, upcoding, unbundling, rent-a-patient and pill-mill schemes, insurance scams, short-pilling, off-label marketing of pharmaceuticals, and rebate fraud, as well as criminal acts that enable this fraud (mail and wire fraud, conspiracy, and money laundering). After assessing the effectiveness of the federal laws designed to fight health care fraud and abuse-the antikickback statute, the Stark Law, the False Claims Act, HIPAA, and the food and drug laws-Leap suggests a number of ways that health care providers, consumers, insurers, and federal and state officials can bring health care fraud and abuse under control, thereby reducing the overall cost of medical care in America.
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Affiche du document Welcome to the Suck

Welcome to the Suck

Stacey Peebles

1h15min45

  • Etudes littéraires
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  • Livre epub
  • Livre lcp
101 pages. Temps de lecture estimé 1h16min.
Our collective memories of World War II and Vietnam have been shaped as much by memoirs, novels, and films as they have been by history books. In Welcome to the Suck, Stacey Peebles examines the growing body of contemporary war stories in prose, poetry, and film that speak to the American soldier''s experience in the Persian Gulf War and the Iraq War. Stories about war always encompass ideas about initiation, masculinity, cross-cultural encounters, and trauma. Peebles shows us how these timeless themes find new expression among a generation of soldiers who have grown up in a time when it has been more acceptable than ever before to challenge cultural and societal norms, and who now have unprecedented and immediate access to the world away from the battlefield through new media and technology.Two Gulf War memoirs by Anthony Swofford (Jarhead) and Joel Turnipseed (Baghdad Express) provide a portrait of soldiers living and fighting on the cusp of the major political and technological changes that would begin in earnest just a few years later. The Iraq War, a much longer conflict, has given rise to more and various representations. Peebles covers a blog by Colby Buzzell ("My War"), memoirs by Nathaniel Fick (One Bullet Away) and Kayla Williams (Love My Rifle More Than You); a collection of stories by John Crawford (The Last True Story I''ll Ever Tell); poetry by Brian Turner (Here, Bullet); the documentary Alive Day Memories; and the feature films In the Valley of Elah and the winner of the 2010 Oscar for Best Picture, The Hurt Locker, both written by the war correspondent Mark Boal. Books and other media emerging from the conflicts in the Gulf have yet to receive the kind of serious attention that Vietnam War texts received during the 1980s and 1990s. With its thoughtful and timely analysis, Welcome to the Suck will provoke much discussion among those who wish to understand today''s war literature and films and their place in the tradition of war representation more generally.
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Affiche du document Russia on the Edge

Russia on the Edge

W. Clowes Edith

1h32min15

  • Etudes littéraires
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  • Livre epub
  • Livre lcp
123 pages. Temps de lecture estimé 1h32min.
Since the dissolution of the Soviet Union in 1991, Russians have confronted a major crisis of identity. Soviet ideology rested on a belief in historical progress, but the post-Soviet imagination has obsessed over territory. Indeed, geographical metaphors—whether axes of north vs. south or geopolitical images of center, periphery, and border—have become the signs of a different sense of self and the signposts of a new debate about Russian identity. In Russia on the Edge Edith W. Clowes argues that refurbished geographical metaphors and imagined geographies provide a useful perspective for examining post-Soviet debates about what it means to be Russian today.Clowes lays out several sides of the debate. She takes as a backdrop the strong criticism of Soviet Moscow and its self-image as uncontested global hub by major contemporary writers, among them Tatyana Tolstaya and Viktor Pelevin. The most vocal, visible, and colorful rightist ideologue, Aleksandr Dugin, the founder of neo-Eurasianism, has articulated positions contested by such writers and thinkers as Mikhail Ryklin, Liudmila Ulitskaia, and Anna Politkovskaia, whose works call for a new civility in a genuinely pluralistic Russia. Dugin''s extreme views and their many responses—in fiction, film, philosophy, and documentary journalism—form the body of this book.In Russia on the Edge literary and cultural critics will find the keys to a vital post-Soviet writing culture. For intellectual historians, cultural geographers, and political scientists the book is a guide to the variety of post-Soviet efforts to envision new forms of social life, even as a reconstructed authoritarianism has taken hold. The book introduces nonspecialist readers to some of the most creative and provocative of present-day Russia''s writers and public intellectuals.
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